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White plaster sculpture, 22 x 14 x 10 cm. Such a gaze has deeply harmed the people as well as marginalized the native people of Algeria, the Amazigh or Berber as they are called since the Roman conquest. Through her installations and performances, she make reference to the behavioral transfer of the individuals' unconscious when they evolve in Prostitutes Berber spaces by Prostitutes Berber norms and cultural codifications, while her intention seeks to create a distorsion in order to thwart the established order.

Mothers would instruct daughters in Bou-Saada-style belly dancing.

Starting in their teenage years, some nailiyat Prostitutes Berber travel to nearby cities, accompanied by female relatives, and perform Prostitutes Berber belly dancers and escorts.

Adorned with kohl and henna, nailiyat would string the coins they earned into elaborate jewelry. After accumulating wealth for up to 15 years, the nailiyat would return to their village, purchase a house and considers suitors for a more conventional married life. To the French colonial government, however, Prostitutes Berber nailiyat were prostitutes.

Nailiyat were required to serve in licensed brothels or to travel to remote military outposts, while paying heavy taxes and license fees.

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French mercenaries also murdered Prostitutes Berber for the jewelry they carried. Nearly a century later during World War I, Prostitutes Berber called upon its North African soldiers such as the Moroccan tirailleurs to spill their blood on European battlefields.

Military authorities decided they should bring sex workers with them. Soldiering and prostitution long have mixed. As militaries professionalized and grew more bureaucratic in the 18th and 19th centuries, officers had Prostitutes Berber devise policies regarding sex workers who historically had accompanied troops on the march. Though reviled as immoral and shameful by society, prostitute remained highly in demand in armies of young, male soldiers.

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Suppressing outbreaks of syphilis was a more pressing concern, as it putFrench soldiers out of action during the war along with similar numbers in the British and U. The French organized nailiyat into person companies of entertainers to sexually entertain the soldiers, who paid with their own money. Doctors attached to the units treated soldiers infected with sexually-transmitted diseases, then would endeavor to trace it back to specific prostitutes and treat them to prevent spread of infections.

That is, Prostitutes Berber Field Bordellos. The French government Prostitutes Berber bonds to construct model red-light districts such as the Bousbir in Casablanca and later Buffalo Park in the Chinese Cholon district of Saigon. The Association of Hoteliers in France and the Colonies played an instrumental in organizing the system. A French military document fromtranslated by author, reveals how Prostitutes Berber regulated the use of BMC was.

Discipline—Discipline around and inside the brothel will be assured by a military police post the 6th Company will put in place from hours to hours on Nov.

This post will be commanded by adjutant-chief, or an enthusiastic adjutant assisted by another non-commissioned officer, Prostitutes Berber will include 12 tirailleurs50 percent of whom must be European. Equipment—Helmet, musette bag, water bottle, mask, Prostitutes Berber weapon without munitions, coverlets, watch, billy club.

Resupply of the post will be at the discretion of the company commander. The tirailleurs will present themselves in Prostitutes Berber. Each platoon will take its turn in a half-hour interval. To facilitate a smooth flow, each platoon will be composed of 30 tirailleurs. Poverty frequently motivated both Algerian and Vietnamese women to seek employment in Prostitutes Berber BMCs, though some accounts claim Vietnamese women also effectively sold their daughters into servitude.

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French authorities did their best to conceal the BMC from U. Growing up in the s and the '90s, she witnessed a violent era of civil war Prostitutes Berber the government and various Islamic groups changing the society and its public sphere. A Prostitutes Berber through which Algerian women operated in different roles, while the legacy of a long brutal colonial history with France continued to foster a misogynist society.

Prostitutes Berber, social and gender related matters in contemporary Algerian society are very much affiliated with postcolonial issues. During Prostitutes Berber last centuries, both the Arab invasion and France's colonial politics have contributed to a specific male gaze on Algerian women, that has been emphasized in the s' torn and unequal society. Such a gaze has deeply harmed the people as well as marginalized the native people of Algeria, the Amazigh or Berber as they are called since the Roman conquest.

Particularly women were facing double oppression, both through colonial power and that of the patriarchal structure.

Some of the wars' strategies have also explicitly targeted them through controlling societal reforms such as marriage and by Prostitutes Berber physical and mental violation. A colonial trace in today's visual culture are postcards showing unveiled literally Berber females photographed with bare Prostitutes Berber.

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Depicted both as exotified objects of desire and as emancipated women to promote french ideals. The aim was to destroy the image of the sacred feminine figure and to dominate the native Algerian men. It presents the Prostitutes Berber chapter in her ongoing exploration of female representation and Prostitutes Berber history in North Africa through colonial imagery and images of the Berber queens Prostitutes Berber Hinan 4th centuryKahina Dihya 7th century and Lalla N'Soumer — Queens who ruled matriarchal societies in the Maghreb but whose history has been neglected in Prostitutes Berber school education.

Lalla N'Soumer, for instance, was an essential figure in the resistance movement fighting the early french colonial invasion. Tin Hinan walked across the Sahara desert to escape the Roman Prostitutes Berber. Kahina Dihya was decapitated due to her influential position while leading troops against the Arab invasion.

So, what role can these postcards and the imagery of Berber queens play today, and how Prostitutes Berber these images been inscribed in contemporary representations of female bodies? In Zoubir's work, she processes the destructive history folded within the colonial images by repeatedly drawing the women from the postcards Prostitutes Berber real body size.

As a counteract, she gives body to the oral stories about the Berber queens by sculpting Tin Hinan's feet and Kahina Dihya's confident face—embodying their strength and materializing a presence. Simultaneously she deconstructs a collection of original colonial postcards by cutting them into small pieces to assemble them into new forms—revealing a fragility of its earlier eroticised concept.

Her methods call to mind philosopher Gilles Deleuze understanding of "difference" and "repetition" Deleuze,which assays a critique of representation. For him, every repetition brings something Prostitutes Berber to occur.

It is also what lays in between the difference of the repetition that accounts for Prostitutes Berber for evolution, for creativity. In contrast to the collages, Zoubir's wallpaper Prostitutes Berber at first glance a seemingly simple systematic repetition of a mirrored image of the female warrior Lalla N'Soumer in fighting position, with a gun.

However, the mirror effect makes the two pointed gun barrels meet—causing the weapons' force to implode. Prostitutes Berber if the artist attempts to test both the potential and the inability of such images today. In her work, by employing the idea of repetition Zoubir underlines a familiar dichotomy: the woman as a prostitute the colonial postcards and as Prostitutes Berber figure the Berber queens —"revealing" them as women, i.

Deleuze says when declaring the essential logic and metaphysical aspects of "repetition" and "difference," prior to any concept of identity: "Identity and resemblance would then be no more Prostitutes Berber inevitable illusions—in other words, concepts of reflection which would account for our inveterate habit of thinking difference on the basis of the categories of representation.

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The French organized nailiyat into person companies of entertainers to sexually entertain the soldiers, who paid with their own money. Some of the wars' strategies have also explicitly targeted them through controlling societal reforms such as marriage and by a physical and mental violation.

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